Hey, you know what? 2024 was a great year for movies. They all are, despite many talking heads claiming otherwise—they just aren’t looking or aren’t interested in anything that contradicts their narrative.
Hey, you know what? 2024 was a great year for movies. They all are, despite many talking heads claiming otherwise—they just aren’t looking or aren’t interested in anything that contradicts their narrative.
There’s a great deal to admire in the latest rendition of F.W. Murnau’s 1922 horror classic (and unofficial Dracula adaptation) Nosferatu, the long-simmering passion project from Robert Eggers. It’s exquisitely mounted down to the most granular detail, features several fantastic, committed performances, and is stunning to look at. But for all there is to appreciate, it fails to move the needle or elicit much of any reaction beyond a shrug.
Shea Whigham and Carrie Coon are prime examples of character actors who show up and automatically make anything better. No matter the film or show, no matter the genre, no matter how major or minor the role, whenever they appear, things get a substantial boost. And because they’re so often supporting players, it’s always welcome when a movie like Lake George comes along that places them front and center.