The Seattle International Film Festival is an ungainly
monster. It runs almost four full weeks (25 days), more if you hit up press
screenings and screeners that start two weeks ahead of time, and features more
than 400 movies, 168 of them features. You’ll find things that literally won’t
see anywhere else. And while that’s awesome, wading through everything gets a
bit much.
My must-sees change and evolve over the course of SIFF. They
always do. Every year, I miss things I wanted to see and love random films I’d
never heard of before. Hell, over the ten years I’ve covered the fest, at least
a few of my favorites from every installment come from recommendations I get
from people in line, asking strangers what blew their hair back. Every year. But
as of right now, these are the SIFF 2018 films I’m most excited to see.
I’ve already seen a bunch of these. It’s pretty obvious
which ones. Others have made a bunch of noise on the festival circuit, come
from filmmakers who’s work I love, or just look rad. And this is only a sampling.
My initial run through the SIFF program guide left me with 56 features on my
list. These are the highlights. We’ll see how many I actually make.
There’s actually a decent slate of horror films—it can be
hit and miss from year to year—but for some reason, most of them didn’t wind up
on this list. That’s weird. But rest assured, if it looks horror-ish, I’ll be
there.
Keep checking back HERE throughout SIFF for my reviews. I'm also covering the fest for The Seattle Times again this year, so be sure to follow along for my reviews there.
Keep checking back HERE throughout SIFF for my reviews. I'm also covering the fest for The Seattle Times again this year, so be sure to follow along for my reviews there.
Sorry to Bother You
From Boots Riley, the frontman of radical hip hop collective
The Coup, Sorry to Bother You is a nutty racial satire set
in the near future where a lowly telemarketer discovers he has a gift that will
lift him to great heights. With Lakeith Stanfield, Tessa Thompson, and Armie
Hammer, the dystopian feature is surreal and drug-fueled and looks all kinds of
bonkers.
Dead Pigs
Before Cathy Yan becomes the first Asian-American woman to
helm a major comic book movie—she’s been tapped to helm a Harley Quinn/Birds of
Prey movie for DC—you can check out her feature debut, Dead
Pigs, at SIFF 2018. And don’t you want to be that dickhead who says,
“Well, I’ve been a fan since…” You know you do.
Wrath of Silence
A western-inspired Chinese crime saga? You had me at hello.
This class-conscious tale follows a mute miner with a violent past—he bit off
his own tongue in a fight—who sets off on a journey of retribution after his
son is kidnapped.
The Guilty
You wouldn’t think a dude sitting in a single location
talking on the phone for 85 minutes would be thrilling and exhilarating, but
Gustav Moller’s The Guilty is just that. It’s a tense,
clever, twisting ride that sucks the air out of your lungs multiple times.
First Reformed
Paul Schrader’s First Reformed is another
title makig waves on the festival circuit. An A24 film already has our eyes on
it, but Ethan Hawke—I’m real into this current stage of his career—playing a
pastor dealing with his troubled past, a crisis of faith, and a radical
environmentalist, you have my full, undivided attention.
Hearts Beat Loud
Brett Haley’s Hearts Beat Loud looks
almost too adorable for words. The comedic drama about a father/daughter
musical duo going through a transition period in their lives could be too
cutesy, but with Nick Offerman, Kiersey Clemons, Toni Collette, Ted Danson, and
Blythe Danner, the upside is too high to pass up.
Tigers are Not Afraid
If Guillermo del Toro names your movie his favorite of 2017,
you’re onto something. Tigers Are Not Afraid tells a dark
fairy tale about kids dealing both with drug cartel violence and the ghosts
created by said violence. Yeah, Issa Lopez’ gritty fantasy sounds right up my
alley.
Revenge
A grim, brutal, feminist-as-fuck rape-revenge film from new
French director Coralie Fargeat, you know you’re in for a rough watch. But
everything I’ve heard, it’s also supposed to be an amazing evolution of the New
French Extremity. If you can’t make the lone midnight SIFF screening, don’t
worry. The aptly titled Revenge actually got a limited
theatrical and VOD release on May 11 (including at Seattle’s own Grand
Illusion), a few days before the fest begins.
Blindspotting
Longtime pals Daveed Diggs and Rafael Casal wrote this buddy
comedy/intense look at race, police violence, and gentrification that follows a
recent parolee (Diggs) as he tries to avoid going back to prison, a task made
difficult by his off-the-chain BFF (Casal). If there’s any justice in the world,
this is the first step to Diggs becoming a massive star.
Three Identical Strangers
Three Identical Strangers is one of those
documentaries it’s best to go into as cold as possible. It’s a true story
that’s so bizarre you expect someone to show up and tell you it’s all been an
elaborate prank. When three total strangers discover they’re actually identical
triplets separated at birth, that’s just the beginning of a strange, dark saga
that leaves your jaw on the floor.
Marlina the Murderer in Four Acts
After surviving an attack and robbery by a group of entitled
locals, Marlina sets out on a quest for justice and revenge in this spare,
gorgeous neo-western from Indonesia. She also spends most of the movie walking
around holding a severed head, so there’s that. See it on as big a screen as
possible.
Bodied
Joseph Kahn’s satiric rap battle picture
Bodied set the festival circuit on fire last year. It’s been
one I’ve been dying to see ever since, and now we can as it touches down in
Seattle near the end of SIFF.
I really love the way you discuss this kind of topic. The shining
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