Red Sparrow exists in a strange middle
place that doesn’t serve the adaptation of retired CIA officer Jason Matthews’
best-selling spy novel particularly well. It’s not tense or intriguing enough
to stand with the best recent espionage thrillers, like Tinker,
Tailor, Soldier, Spy. Nor is it pulpy and trashy enough to be fun and
provide an illicit charge. It’s fine, if way overlong, but it’s just kind of
occupies space.
Wednesday, February 28, 2018
Tuesday, February 27, 2018
'Heavy Trip' Trailer: The Heavy Metal Road Trip Comedy You've Been Waiting For
It’s been a couple years since the last good heavy metal comedy. Deathgasm is the last I recall, though if
Heavy Trip has anything to say about it, 2018 will not pass
without one. Check out this trailer to see what I mean.
Labels:
Finland,
Heavy Metal,
Heavy Trip,
news,
SXSW,
Trailer
Monday, February 26, 2018
HBO's 'Fahrenheit 451' Trailer Wants To Burn
Lots of people go through a dystopian fiction streak. Mine
was in junior high/early high school. (And, to be honest, continues to this
day.) We’ve got classics like 1984, Brave New
World, and The Handmaid’s Tale. Whole new
generations are getting in on the act with things like The Hunger Games and Divergent books, among many others. One
of the greatest of this ilk, and one of my favorites, is Ray Bradbury’s
Fahrenheit 451. Francois Truffaut brought it to the screen
in 1966, but now HBO has an impending adaptation with a fresh new trailer.
Thursday, February 22, 2018
'Annihilation' (2018) Movie Review
Talking to fans of Jeff VanderMeer’s
Annihilation, if you venture to see Alex Garland’s cinematic
adaptation, steel yourself, they are very different animals. Both maintain the
general sci-fi Heart of Darkness-style journey, and there are
a few plot points intact—like the lighthouse and Area X. But aside from that,
they go in two different directions.
Wednesday, February 21, 2018
'Pyewacket' Trailer: Heavy Metal, Horror, And Satanic Panic!
I don’t know writer/director Adam MacDonald
(Backcountry) personally, but I can say with relative certainty
that he made his new movie, Pyewacket, just for me. Okay,
maybe not, but we’re talking about an occult, heavy metal, satanic panic horror
movie, so he may as well have titled it Movie for Brent.
Check out this trailer if you’re picking up what I’m putting down.
Tuesday, February 20, 2018
Scott Adkins' Space Prison Movie 'Incoming' Has A Poster, The Dream Is Real
Does Scott Adkins sleep? Serious question. Because the dude
always has like 5000 projects in the works. And I want to see all of them
because they all involve him kicking people in the face. But sometimes there
are rumblings of one film or another that never materialize. I get it, movies
in development don’t always make it to the finish line, especially in the DTV
realm in which he plies his trade. About a year ago, we heard tales of an Adkins-fronted
sci-fi adventure called Incoming, but that was the last word
on the matter. Until today. Now there’s a new poster. Which means this is happening.
Which means we’re going to see Scott Adkins pummel villains in space. Which
combines most of my favorite things in this world. Or out of this world.
(Sorry.)
Friday, February 16, 2018
'The Villainess' Director Teams Up With Gerard Butler For Action/Sci-Fi Comic Adaptation 'Afterburn'
If you read this site on any sort of regular basis, you
probably know my affection for both Gerard Butler and Asian action cinema. And
now the two find themselves on a collision course. South Korean director Jung Byung-gil, who
helmed last year’s The Villainess, will team up with GB to
adapt the Red 5 Comics sci-fi miniseries Afterburn. Throwing
sci-fi into the mix only sweetens the deal.
Wednesday, February 14, 2018
'Black Panther' (2018) Movie Review
Movies obviously had a substantial impact on my life. I was
fortunate enough to grow up and see people who looked like me doing fantastic,
incredible, even relatively normal and mundane things on screen. Looking back
on it, at the films that spoke to me—Goonies, Stand
by Me, Red Dawn, and countless others—almost
everything I watched showed me a version of myself. I know what a presence that
had, I know how much that meant, personally, and I know that wasn’t the case
for everyone. But a lot of people, young people especially, are going to find a
similar sensation, to feel a similar weight, when they watch Black Panther.
Labels:
Action,
Andy Serkis,
Black Panther,
Chadwick Boseman,
Comic Book,
Danai Gurira,
Letitia Wright,
Lupita Nyong'o,
Marvel,
Michael B. Jordan,
Movie Review,
news,
Ryan Coogler,
Superhero
Thursday, February 8, 2018
'Fifty Shades Freed' (2018) Movie Review
Cards on the table: I haven't seen any of the
Fifty Shades of… movies. But that didn’t stop me from
watching the final installment of the trilogy, Fifty Shades
Freed, which I saw primarily because that’s funny to me. (And I have
it on good authority the previous films, especially part two, are hilarious.) It
wasn’t. What I bore witness to was the least interesting movie I’ve ever seen.
Wednesday, February 7, 2018
'Under The Shadow' Director Grabs Armie Hammer For Horror Thriller
Here’s your splash of good news for today: Under the Shadow director Babak Anvari has a new thriller in the works. It
doesn’t have a title at the moment, but it does have a promising concept and a
star in the person of Armie Hammer.
'Entanglement' (2017) Movie Review
Ben (Silicon Valley and Verizon
commercial star Thomas Middleditch) is depressed. In fact, Jason James’
dark comedy Entanglement begins with montage of
failed suicide attempts. Fortunately, Ben’s too inept to die—he tries to gas
himself with an exhaust pipe, but a kid steals his car; he takes a bath with a
toaster, but forgets to plug it in; when he succeeds in slitting his wrists, he
gets up to answer the front door.
Tuesday, February 6, 2018
'Infinity Baby' (2017) Movie Review
It’s easy to look at director Bob Byington’s Infinity
Baby as a prototypical “film festival” movie. Shot in black and
white, featuring a who’s who of indie movie staples, at times it’s unbearably
twee, rides a quirky concept to the point of distraction, and is far more in
love with its own wit than it should be—Onur Tukel’s script isn’t nearly as
clever as it thinks it is. That’s not to say there aren’t merits, because there
are, but much of the first half borders on insufferable.
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