I have a new favorite movie line. It’s Will Smith yelling, “We’re
gonna titty-bar gunfight die.” And yes, that appears to be an actual line from
Bright, Netflix’s upcoming attempt to get in on the big-budget
fantasy action market. Check out the new trailer below.
When Bright first hit the scene, a friend
called and asked if they were making a Shadowrun movie, and
from what we see, that’s not a bad comparison. This certainly does look like an
RPG come to life, and I’m a guy who liked The Last Witch Hunter, so here we are.
I can’t tell if Bright looks straight bad
or like crazy enough to be a crap ton of fun, while being bad, like the back
half of Geostorm. But woof, that banter between Will Smith
and Joel Edgerton, who plays his Orc partner, is rough anyway you look at it. But
there’s a magic wand and Orcs and heavy-handed allegories about prejudice and
racism, so, you know, timely or whatever.
Here’s the synopsis:
Set in an alternate present-day where humans, orcs, elves, and fairies have been co-existing since the beginning of time. Bright is genre-bending action movie that follows two cops from very different backgrounds. Ward (Will Smith) and Jakoby (Joel Edgerton), embark on a routine patrol night and encounter a darkness that will ultimately alter the future and their world as they know it.
However Bright shakes out, it’s going to
be interesting to watch. This represents Netflix’s biggest production thus far—the
streaming monolith ponied up $90 for the project, including a $45 million
production budget. That’s not too massive by Hollywood standards, but it’s a
significant investment. Maybe they’ll actually promote this movie like a normal
movie instead of dumping it without any fanfare.
Directed by David Ayer, Bright looks like
a weird amalgam of his gritty cop dramas like End of Watch
and Training Day and the more fantastic Suicide Squad. We’ll have to wait and see how that goes.
Bright also has a strong cast. Fronted by
Will Smith and Joel Edgerton buried under layers of makeup, it also stars Noomi
Rapace, Lucy Fry, Edgar Ramirez, Margaret Cho, and Ike Barinholtz. Max Landis
wrote the script, so make of that what you will.
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