If there’s any doubt that stop-motion studio Laika is
responsible for the most gorgeous animated features going around over the last
few years, there shouldn’t be. Should you still need proof after movies like
ParaNorman and Coraline, look no further
than their latest, The Boxtrolls, now out on DVD, Blu-ray,
and however else you like to watch movies these days.
ParaNorman was one of the best movies of
2012, a smart, sweet dissection of bullying and troubling groupthink that carried
way more weight than most more explicit “message” movies. As such, comparing
The Boxtrolls to their last outing may not be entirely fair,
but it’s bound to happen. And unfortunately their latest doesn’t quite measure
up. Don’t get me wrong, The Boxtrolls is delightful, stunning
to look at, and adorable as all hell, but while it ranks among the best
animated movies of 2014—it did garner an Academy Award nomination—and should
satisfy you in most regards, there’s simply just not as much too it as earlier
Laika movies.
Based on Alan Snow’s novel Here Be
Monsters!, the story follows a young orphaned boy (Game of Thrones
star Isaac Hempstead Wright) who was raised by an underground cadre of trash-collecting
Boxtrolls. Named Egg because he wears what used to be a box of eggs (there are
trolls named Fish, Bucket, Shoe, and others for the same reason), the townsfolk
think the boy was abducted as an infant and that the Boxtrolls are heinous,
baby-eating monsters. Nothing could be further from the truth, as they are
sweet, affectionate creatures. But when the villagers employ nefarious
exterminator, Archibald Snatcher (Sir Ben Kingsley), to rid them of this
perceived menace, it’s time for Eggs to come to the surface and make his
presence known.
At it’s core, The Boxtrolls is a story
about misunderstanding, being closed minded, not rushing to judgment, and
intolerance. It touches on the nature of identity—Eggs doesn’t know where he
truly belongs—the inefficiency of overly bureaucratic systems, and even class
and rampant, unchecked ambition. And of course the real monsters turn out not
to be the obvious choice. Many of these are similar themes as
ParaNorman, but the film simply doesn’t hit its mark as true
as its predecessor.
This film works best as a fish-out-of-water story as Eggs
tries to navigate the strange world of humans and their strange social customs.
He has Winnie Portly-Rind (Elle Fanning), the daughter of a local town
magistrate, to guide him along, and the movie is full of charming moments like
when she tries to teach her pupil what a handshake is.
There is more to the story than just the surface story, as
Snatcher has more sinister aims than he initially lets on. You get harrowing
situations and more than enough adventure to carry you through. This is the
kind of movie that I would have appreciated as a kid, the kind where the adults
and authority figures are either corrupt or completely useless, and it falls to
the young characters to take care of business and save the day themselves.
As usual, a great cast lends their vocal talents to the
proceedings. Simon Pegg, Nick Frost, Toni Collette, Richard, Ayoade, Tracy
Morgan, and many more all show up in various capacities. However, where
The Boxtrolls really stands out from the pack, as you might
expect, is in the visual realm. Again, Laika’s character design is second to
none, and there’s such a texture and warmth to this medium that provides a
level of connection and affection that you too rarely find in animated movies.
The Boxtrolls is very good, and there’s a
distinct possibility it will walk away with an Oscar in a few weeks (especially
due to the glaring omission of The Lego Movie, which, aside
from the Selma debacle is the most egregious snub this
year). Still, it never quite fully connects and you can’t help but think of
this as something of a missed opportunity given the sky-high potential. It’s
cute and fun, but never goes much beyond that. You don’t necessarily
need more out of a movie, but you have to wonder what
could have been.
If the movie itself isn’t enough to entice you to pick up a
copy of The Boxtrolls, the home video release from Universal
arrives with a ton of wildly varied extras. First off, the transfer on the
Blu-ray looks fantastic and really does the animation justice. The disc also
comes with “Dare to be Square,” a behind the scenes featurette that gives you a
clearer picture of the process involved in this kind of painstaking, stop-motion
picture. Five more features explore different aspects of the film and provide a
broader understanding of the film as a whole. And of course, a feature lengths
commentary from directors Graham Annable and Anthony Stacchi is full of stories
and insight that you won’t find anywhere else. [Grade: B]
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