George Takei is a science fiction icon for his portrayal of
Hikaru Sulu, the helmsman of the USS Enterprise on Star
Trek. While that one role could easily have been his defining moment,
there is so, so much more to him than his work on TV and in film. He’s become
an outspoken activist for both the Asian and LGBT communities, a meme-producing
force on Facebook, and a—finally legally acknowledged—husband to boot. Jennifer
Kroot’s new documentary, To Be Takei, offers a hilarious,
agreeable, ultimately very intimate look into his life.
Kroot’s cameras follow Takei and Brad, his partner of more
than 25-years, as they bounce around the country, from comic book and science
fiction conventions, to appearances on the radio with Howard Stern, and even to
big time political events. In a perpetual state of motion, the two opposite
personality types—Brad is fastidious and detail-oriented, while George is more
free flowing and sarcastic—mesh almost perfectly. Sharing everything, both
personal and professional, Kroot paints the sweetest, most adorable portrait
imaginable.
From this current narrative thread, To Be
Takei dips back into his turbulent past, in which he experienced,
first hand, some of the darkest chapters in American history. As a young child,
during World War II, Takei and his entire family, along with 100,000 other
Japanese-Americans, were imprisoned in internment camps. They had their
property seized and assets frozen, despite the fact that there was never a
single incident of one of these citizens aiding the Japanese war effort.
Traumatizing as this was, and though it affected his entire
life—as the cameras follow him, he works on a stage play that revolves around
his experiences with internment—coloring everything that came after, Takei
never allowed himself to sink into bitterness. Instead, he decided to help head
the charge to redress this egregious wrong. In reality, these experiences are
responsible for sparking off Takei’s lifelong quest for social justice and
equal rights for everyone.
Takei was never a superstar actor—though you see how popular
and beloved he still is during the convention scenes—but he parlayed that into
the role of Sulu when Gene Roddenberry came knocking. For an actor who often
had to compromise himself, playing a variety of racist stereotypes in small
parts just to find any work at all, joining an intentionally diverse, eclectic
cast was a dream. Not only was he an Asian-American face on your TV every week,
but one shown in a positive light, something all too rare, especially at the
time.
But even as he found success in his professional life,
extending that influence into a variety of political causes, Takei still had to
hide his sexual orientation—he’s very adamant about the term
orientation versus lifestyle. He even
pauses while he and Brad are in the process of scattering Brad’s mother’s ashes
in a scene that, if it were scripted, would be straight out of The Big
Lebowski. What could have played for slapstick and humor, turns into
a gentle, earnest moment that illustrates how deep their connection runs.
The film captures the chaotic nature of Takei’s life, but
also documents the intense joy that he finds in every avenue he travels down,
never one to shy away from controversy or speaking his mind. Familiar faces pop
up throughout, including Takei’s old Trek crewmates like
Leonard Nimoy, and Nichelle Nichols and Walter Koenig—both of whom actually
took part in George and Brad’s wedding ceremony. Sprinkled in throughout are
hilarious bits with William Shatner, who comes across as a total jag, where he
denies that the two were ever friends, and is obviously super uncomfortable
discussing his co-star’s homosexuality.
As a documentary, To Be Takei doesn’t
break any new ground or push the boundaries of the form, but it does provide an
in depth, personal glimpse behind the public persona. Takei is engaging,
welcoming, and forthcoming when discussing every aspect of his life, no matter
how painful. You walk away from this with the feeling that you just spend
90-minutes hanging out with the man, and that is a damn good time.
To Be Takei premiered at Sundance, has
played numerous other film festivals, and hits theaters on August 22.
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