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Friday, December 23, 2011
'Tinker, Tailor, Soldier, Spy' Movie Review
Based on John le Carre’s 1974 spy novel of the same name, “Tinker, Tailor, Soldier, Spy” has a lot going for it. Chief on this list is the cast, led by Gary Oldman, who gives an intense but understated performance as George Smiley, a Cold War era British intelligence operative. As opposite as he can be from that other famous Brit spy, Smiley is tasked with exposing a high-ranking mole in the organization. With a supporting cast that includes Colin Firth, Toby Jones, Ciaran Hinds, and Benedict Cumberbatch—which may be the best name in cinema—Smiley cautiously roots out the informant using crafty tricks he’s acquired through a lifetime of playing the spy game.
Tuesday, December 20, 2011
'The Girl with the Dragon Tattoo' Movie Review
I’m not a fan of Steig Larsen’s ludicrously popular (I say that selling more than 27 million copies counts as ludicrous) “Millennium” trilogy—which kicks off with “The Girl with the Dragon Tattoo”. In fact, I dislike them immensely. I find the books tedious, poorly written, in desperate need of an editor’s sword, and, perhaps worst of all, boring as all hell. I have similar feelings about the Swedish film adaptations of these same novels. As a result, I’ve been rather indifferent to the build up for the American remake of “The Girl with the Dragon Tattoo”, the self-proclaimed “feel bad movie of Christmas”. Still, I feel like somewhere, buried deep down inside, there is the potential for a decent movie based on these books. The set up, story, and characters are all interesting, and if anyone can salvage the remains and fashion them into an entertaining film, it may very well be David Fincher, a director with a knack for infusing left-of-center projects with a pop sensibility.
Monday, December 12, 2011
'Tyrannosaur' Movie Review
Paddy Considine is known primarily as a character actor, with some small parts in some big movies, like “The Bourne Ultimatum” and “Cinderella Man”, some bigger parts in smaller films. He also has a few writing credits to his name, most notably 2004’s “Dead Man’s Shoes”, which he also starred in. This year he added to his resume, making his feature film directorial debut with the bleak, violent drama, “Tyrannosaur”.
Friday, December 9, 2011
'Shame' Movie Review
Sitting in the theater watching Steve McQueen’s (“Hunger”) new film, the sexually charged “Shame”, I enjoyed it quite a bit. Outside after the screening, another reviewer asked what I thought. Seems like a straightforward enough question, but in trying to quantify my experience I froze, mouth open like a slack-jawed idiot. He took my hesitation to mean that I didn’t like “Shame”. He said he liked it a great deal, and we wandered down the escalator and out into the harsh light of day.
'The Weird World of Blowfly' Movie Review
Do you want to watch a 66 year old man dressed like a superhero lay down some of the filthiest rhymes you’ve heard this side of a 2 Live Crew record? If you answered yes to this question, then you’ll probably want to check out Jonathan Furmanski’s new documentary, “The Weird World of Blowfly”. The film follows Clarence Reid, AKA Blowfly, a purple-sequin-suit-wearing MC with a dirty, dirty mouth, and an even dirtier mind. This is an artist with songs titles like “Big Fat Ho” and “Rap Dirty”, albums called “Porno Freak”, and who does a rendition of “Do the Twist” entitled “Suck MY Dick”. Dropping albums since 1971, some people consider Blowfly one of the first rappers ever. That is the point that “Weird World” tries to drive home, with mixed results, and notable personalities like Chuck D, Ice T, and Jello Biafra of the Dead Kennedys, will try to convince you. Given the timelines, they very well may be right.
Monday, December 5, 2011
Blu-ray/DVD Review: 'Horror Express'
Peter Cushing, Christopher Lee, and Telly Savalas in a Spanish horror film from the writers of “Psychomania”? Thank you, Severin Films, you always know just what I want. This time I’m talking about the new Blu-ray release of Eugenio Martin’s 1972 genre jaunt, “Horror Express”. There’s a droning, discordant score; major, highly questionable plot points that are simply glossed over and pushed aside with a wave of the hand; and, most importantly, a brain-sucking monster loose on a trans-Siberian train. What’s not to like about that? “Horror Express” is classic, grainy, low-budget horror. It is weird and gory, the plot goes in unexpected directions and there are eyeballs and blood and brains and scalpels, and is just as much fun as all of that sounds.
Tuesday, November 15, 2011
'Faces In The Crowd' Movie Review
With a title as generic as “Faces in the Crowd”, and a generic poster that you’ve seen a dozen times—yeah, no movie has ever had a poster with a picture of a face in a broken mirror—it is no wonder that the finished product is, you guessed it, generic. One thing that “Faces in the Crowd” does have going for it that most terrible thrillers don’t, is that it is really goddamn funny. I’m not kidding, it’s super hilarious, one of the funnier movies I’ve seen in a while, and takes itself so seriously that you can’t help but burst out laughing in moments of supposedly heightened tension.
Thursday, November 10, 2011
'Jack and Jill' Movie Review
To be completely honest, I’m not entirely sure why I’m writing this. I feel like there are two groups of people in the world with regards to Adam Sandler’s latest film, “Jack and Jill”. First are those who anticipate one of the biggest piles of crap of the year, which, given the previews, seems like the safe bet. The others are those who don’t give a damn how it looks or what you think, they’re going to see this regardless. Either way, minds are made up, and I doubt anything I have to say on the subject will hold much sway. That said, if I can convince just one person, any person, not to see “Jack and Jill”, I’ll have done a good deed. And I’m not saying this because I’m anti-Adam Sandler, I’m saying this as someone who enjoys “Don’t Mess With The Zohan” more than he is proud to admit. That’s where I’m coming from.
Tuesday, November 8, 2011
'The Son of No One' Movie Review
For a movie that has garnered little to no fanfare, and one that you probably shouldn’t even bother watching, “The Son of No One” has a lot of names that you’ll recognize. You’ve got Channing Tatum in the lead; Katie Holmes as his wife; Al Pacino as, you’ll never guess this, a New York cop; Ray Liotta as, you’ll never guess this either, a corrupt New York cop; and Tracy Morgan in a role that is what I imagine is similar to the part his character from “30 Rock” played when he went after an Oscar. And Juliette Binoche shows up as a crusading journalist, forgot to mention that one.
Friday, November 4, 2011
'Tower Heist' Movie Review
“Tower Heist” is the idiot brother of “Ocean’s Eleven”. While that movie is quick, clever, and fun, “Tower Heist” is empty, plodding, and unencumbered by wit. The movie is an uninspired rehash of caper movie tropes that tries to be quirky only to fail miserably. It is a completely vacuous exercise. You don’t care about any of the characters, the action isn’t particularly interesting, and I spent most of the movie waiting for it to finally be over.
Friday, October 28, 2011
'Martha Marcy May Marlene' Movie Review
The haunting string arrangement over the opening credits of Sean Durkin’s thriller “Martha Marcy May Marlene” stirs definite echoes Hitchcock. In this case it makes a certain amount of sense to evoke the master of cinematic tension. The film is a long, slow build, where the pressure and apprehension grows and increases steadily throughout, wrapping you in a tight squeezing grip.
Friday, October 14, 2011
'The Thing' Movie Review
Antarctica is a great setting for a horror movie. You’re in the most remote, desolate, deadly corner of the planet, where the weather can change moods at the drop of a hat, where you can freeze to death before you know it, and where if something goes wrong you’re just screwed, simple as that. When you see footage of the barren, wind swept landscape it’s easy to imagine why Lovecraft set “At the Mountains of Madness” in such a spot, it’s like an entire continent trying to drive you crazy and murder every living thing besides penguins. It is a landscape rife with an inherent tension, a tension that is largely underused by “The Thing”, director Matthijs van Heijningen Jr.’s new prequel to John Carpenter’s 1982 film, oddly enough, also called “The Thing”.
Friday, September 23, 2011
'Moneyball' Movie Review
“Peace to Oakland, I’ve never been a fan of the A’s”
—Blue Scholars
At the heart of Bennett Miller’s new film “Moneyball” is the story of a little guy going against the grain, challenging established norms and mores, and trying to indelibly alter the world around him. “Moneyball” is the story of Billy Beane (Brad Pitt), the general manager of the Oakland Athletics, who, in the early 2000s, turned his back on 150 years of traditional baseball wisdom, and adopted a radically new approach to assembling a team.
—Blue Scholars
At the heart of Bennett Miller’s new film “Moneyball” is the story of a little guy going against the grain, challenging established norms and mores, and trying to indelibly alter the world around him. “Moneyball” is the story of Billy Beane (Brad Pitt), the general manager of the Oakland Athletics, who, in the early 2000s, turned his back on 150 years of traditional baseball wisdom, and adopted a radically new approach to assembling a team.
Tuesday, September 20, 2011
MIFFF Review: The Short Films
One of the coolest things about the Maelstrom International Fantastic Movie Festival is the shorts program. There were an absurd number of them, almost fifty, broken up into genre-specific chunks—a fantasy, animation, horror, and science fiction block. These are films that you’re not likely to see many other places. In a general sense shorts are wildly hit and miss—there are some great ones, but to get to them you have to sift through a crap load of garbage.
MIFFF Review: 'Boy Wonder'
Do yourself a favor, go out and find a way to watch “Boy Wonder”. It’ll be totally worth it, promise. A near perfect combination of grim revenge movie and dark super hero origin story, it is good enough to make you completely forgive a questionable choice of title. To lump it in with the likes of “Kick-Ass”, “Defendor”, and “Super”, may be a natural inclination, but at the same time it does the film a great disservice because it is markedly different from all of those films. “Boy Wonder” doesn’t aspire to be the first chapter in an ongoing saga, it doesn’t directly reference comic book lore and culture, and the main character doesn’t try to become an iconic superhero or mimic heroic acts from the funny books. He wants revenge, plain, simple, brutal revenge, and this is the grim, gritty, ultraviolent story of how he goes about his quest.
Monday, September 19, 2011
MIFFF Review: 'The Selling'
A big problem with films that present themselves as horror-comedies is that, all too often, they are neither frightening nor funny. In direct opposition to this trend, Emily Lou’s new film “The Selling” succeeds on both of these fronts—it is strong low-budget comedy and strong low-budget horror. There are consistent, legitimate laughs throughout, and, especially as the movie builds and progresses towards the climax, some solid ghost story action in the midst of all the humor.
Sunday, September 18, 2011
MIFFF Review: 'Midnight Son'
Almost immediately director Scott Leberecht’s new horror film “Midnight Son” calls to mind George Romero’s 1976 movie “Martin”. Both are ostensibly vampire movies, but vampire movies that tweak the formula and refuse to follow conventions. Gone are the gothic, overdramatic affectations that have permeated the genre for years, and let’s put it this way, this vampire certainly doesn’t sparkle or glint like a diamond in the sun.
Tuesday, September 13, 2011
DVD Review: 'Spartacus: Gods of the Arena'
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Friday, September 9, 2011
'Contagion' Movie Review
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Wednesday, August 31, 2011
'The Debt' Movie Review
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Friday, August 26, 2011
'Colombiana' Movie Review
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Tuesday, August 23, 2011
'Target Practice' Movie Review
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Friday, August 19, 2011
'Fright Night' Movie Review
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'The Last Circus' Movie Review
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Tuesday, August 16, 2011
Blu-ray Review: 'The Big Lebowski: Limited Edition'
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I didn’t love “The Big Lebowski” the first time I saw it. It feels good to finally admit that. By the time 1998 rolled around I’d been a big Coen Brothers fan since first watching “Raising Arizona” in 1987, and had seen everything they’d put on film. “Fargo” only solidified my affection, so when their next film, “Lebowski”, came out, I went to a Sunday afternoon matinee that first weekend. Walking out into a drizzly March afternoon in the Pacific Northwest, I’d enjoyed myself well enough, but it wasn’t anything that blew my hair back. I wasn’t the only one with a less-than-enthusiastic reaction, and the film was neither a critical nor commercial success.
Home video is where “The Big Lebowski” really hit its stride and found an audience. This film makes a definite case for repeated viewings. With the ability to watch and re-watch you are afforded the opportunity to drink in and truly appreciate the subtle jokes, Walter’s priceless rants, and the random weirdness that makes “The Big Lebowski” so great. Watching it now I can’t see how I had such a tepid reaction my first time, and the film has blossomed into a full-blown cultural phenomenon. There are constant midnight screenings, t-shirts and bumper stickers printed with quips of dialogue, websites, chatrooms, and even regular festivals and conventions. Hell, at work we have three phones, each with a name. One is “Walter”, another “The Dude”, and we call the third “The Jesus”. (Let it be known that I had nothing to do with this.) “The Big Lebowski” isn’t “Star Wars” or “Star Trek” or “Rocky Horror” in terms of nerdy fan obsession, but it isn’t far off.
It seems fitting that since the home video market is so responsible for the popularity of “The Big Lebowski”, now it is getting special edition Blu-ray Book release. I’ll try not to waste too much of your time with plot details, as I’m going to assume that most of you are at least marginally familiar with the movie. It is essentially the Coen Brothers’ loose retelling of Raymond Chandler’s 1939 detective novel, “The Big Sleep”. Remember the use of the word “loose”. There are distinct similarities between the two works, but they are, obviously, vastly different entities.
Instead of Chandler’s hardboiled private investigator, Philip Marlowe, the story centers around a burn-out, ex-hippie stoner named Jeffrey Lebowski (Jeff Bridges), know as “The Dude” to his many friends and well-wishers. Floating through life on a cloud of smoke, his daily routine consists primarily of getting high and bowling with his buddies, Walter (John Goodman), an easily agitated Vietnam vet, and Donny (Steve Buscemi), a naïve milquetoast who often unwittingly walks right into Walter’s rage. After being mistaken for another Jeffrey Lebowski (David Huddleston), a wheelchair-bound millionaire no less, the Dude is compelled to navigate a seedy criminal underworld that includes kidnapping, blackmail, murder, and modern feminist art, among other things.
At a basic level, what the Coens did is drop a laid-back slacker into the middle of a tense, twisted detective story, just to see what would happen. The result is a frantic mish-mash of comedy, mystery, and cinematic trickery that, while it can be overwhelming at first glance, is one of the most unique and entertaining films in a generation. Endlessly quotable, the re-watch potential for “The Big Lebowski” is through the roof. Like I said, it is one of those films that gets better with age, and no matter how many times you’ve seen it, you can pop it into your disc playing machine, and watch it again and again.
You are entering a world of pain.
Besides a sharp, clean picture, “The Big Lebowski” Limited Edition Blu-ray Book comes with a ridiculous number of extras, a list that it is truly worthy of the “Special Edition” tag. With the package you get a digital copy of the film, as well as a 28-page booklet that features exclusive interviews, trivia, and photos from the movie. But wait, there is so much more:
There are a trio of interactive “U-Control” features; “Mark It, Dude”—an on-screen counter that keeps track of the “dudes”, “Lebowski-isms”, and “f-bombs” throughout the movie—think the “Carnage Counter” on the “Red Dawn” DVD; “Scene Companion”—which lets you watch behind the scenes footage, interviews, and assorted other extras while you watch; and “The Music of ‘The Big Lebowski’”—a feature that identifies the songs on the soundtrack and lets you build a custom playlist.
“An Introduction”—This is the least entertaining of the bonus features. It is a faux intro from a faux film industry type that just doesn’t hit the mark and is tired rather than entertaining. It is only four minutes, but feels much longer.
“Worthy Adversaries: What’s my Line Trivia”—This is exactly what it sounds like a “Lebowski” trivia challenge. The kicker is that you can play solo, or test your knowledge head-to-head with a buddy. Won’t that sound like fun after a couple of hearty bong rips.
“The Dudes Life”—This 10-minute featurette is taken up mostly by Bridges discussing his process as an actor, and some specific preparations he employed to get ready for his role as The Dude.
“The Dude Abides: ‘The Big Lebowski’ Ten Years Later”—After a full decade has elapsed, members of the cast and crew are interviewed about the legacy of “The Big Lebowski”, with a large emphasis placed on the Coen’s and the unique way in which the brothers work.
“Making of ‘The Big Lebowski’”—An older inclusion, this is a pretty standard making-of feature, though it is interesting to hear the characters discuss their roles and the film not only before it was released, but before it became a true cult phenomenon.
“The Lebowski Fest: An Achiever’s Story”—Features clips from Eddie Chung’s film “The Achievers: The Story of the Lebowski Fans”, a documentary about the people behind “Lebowski Fest”, an event that has since become an annual gathering of like minded Dude devotees.
“Flying Carpets and Bowling Pin Dreams: The Dream Sequences of The Dude”—Exactly what it sounds like, this extra explores the “Kafka Moments”—as the Coens call them—where “The Big Lebowski” flies off on surrealist tangents. Don’t ask me how I know, but these interludes are the closest thing to a glue-sniffing hallucination that I’ve ever seen captured in a movie.
“Interactive Map”—Flip around and choose between significant locations from “The Big Lebowski”. Each entry comes with a brief, usually less than a minute, glimpse at the places where the movie was filmed, and a bit of trivia about each spot in the greater Los Angeles area.
“Jeff Bridges Photo Book” and “Photo Gallery”—This is exactly what it sounds like.
And to top off the whole thing there are a handful of online Blu-ray features for you to explore. All in all this is a great package, especially for die-hard fans of “The Big Lebowski”.
Friday, August 12, 2011
'Final Destination 5' Movie Review
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'30 Minutes or Less' Movie Review
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Monday, August 8, 2011
DVD Review: 'Clash' (AKA 'Bay Rong')
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Friday, August 5, 2011
'The Guard' Movie Review
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'The Change-Up' Movie Review
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Wednesday, August 3, 2011
'Another Earth' Movie Review
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Friday, July 29, 2011
'Attack the Block' Movie Review
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'The Smurfs' Movie Review
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'Cowboys and Aliens' Movie Review
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'Crazy, Stupid, Love' Movie Review
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbb5IWcER7c9E-Ot8FzLkUem8WUH2p4WNDJt70-kgS7k8jWzpdLlMTWy4xeS7_zdCE1ykmj0BsgKbNvyKoiWowK2Ba-YW3k9Nc1Xj_b7uWRlCBBLGddDidwWkUtffA2GpCjCNQgdAzp3Lq/s280/Steve-Carell-in-Crazy-Stupid-Love-2011-Movie.jpg)
Friday, July 15, 2011
'Harry Potter and the Deathly Hallows: Part 2' Movie Review
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Monday, July 11, 2011
DVD Review: 'Things'
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Tuesday, June 28, 2011
DVD Review: 'Bloody Birthday', 'Nightmares', and 'The Baby'
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Friday, June 24, 2011
'Bad Teacher' Movie Review
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Friday, June 17, 2011
'The Tree of Life' Movie Review
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'Green Lantern' Movie Review
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Tuesday, June 14, 2011
DVD/Blu-ray Review: 'Kill the Irishman'
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“Kill the Irishman” tells the true-life story of Danny Greene (Ray Stevenson), a legendary Cleveland gangster and folk hero. In the 1970s Greene and a rag tag group of modern day Celtic warriors waged war against the Italian mob in Northern Ohio. The most obvious comparison for “Irishman” is “Goodfellas”, another film that traces the rise of a figure in organized crime from childhood, through the early stages of his criminal career, into the glory days, and his ultimate downfall. Green was most notable for being the man the mob couldn’t kill. Seriously, the guy was like a freaking cat he had so many lives. At one point a house falls on him and he walks away unscathed. He survives bullets, stabbings, and car bombs. Bombs are the apparent weapon of choice in this particular region, and in one summer, no less than 36 go off. There is a pretty amazing montage of exploding automobiles.
'The Catechism Cataclysm' Movie Review
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DVD/Blu-ray Review: '36th Precinct'
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Sunday, June 12, 2011
'The Yellow Sea' Movie Review
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Wednesday, June 8, 2011
'Burke and Hare' Movie Review
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Monday, June 6, 2011
'Detention' Movie Review
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Wednesday, June 1, 2011
'Black Bread' Movie Review
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Tuesday, May 31, 2011
'Red Eagle' Movie Review
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Thursday, May 26, 2011
'The Hangover 2' Movie Review
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