Resident Evil: Afterlife

I finally got around to seeing “Resident Evil: Afterlife” the other day, but to be quite honest, it’s taken me a while to write about it because I kind of forgot about it. It wasn’t very good. Not that the other installments in the series were mind-blowing or anything, but this new chapter is the weakest, even though it is by far the most popular and most three-dimensional to date. The whole thing is pretty forgettable.

Hawaii Five-0 (2010)

“Hawaii Five-0” was actually kind of good. Not like “Justified” good, but given the incredibly low expectations I had going in, the first episode was a pleasant surprise.

The Town

Ben Affleck has made some questionable career choices. “Pearl Harbor” is the funniest movie ever made, though not intended to be; he completely destroyed “Daredevil”; and then came “Gigli” and “Jersey Girl”. The whole J-Lo thing is where public opinion really began to desert him. I’m sure they all sounded like good ideas at the time, but in retrospect I’ll bet he’d like a few of those back. But he was on “Voyage of the Mimi”. So even in the dark days I secretly rooted for him.

Spartacus: Blood and Sand

So much screaming and stabbing. That is the basic premise behind the first season of “Spartacus: Blood and Sand”. The parts that involve neither stabbing nor screaming are built around naked breasts, beheadings, eruptions of blood, and intrigue.

Damage

I’m a sucker for movies starring professional wrestlers. I have been since Hulk Hogan popped up in “Rocky III”. “No Holds Barred” and “They Live” only solidified it a few years later. I don’t claim that they’re all good, but, especially in recent days, they tend to be of a genre that I enjoy, chiefly low budget action that is driven by one central badass. They’re throwbacks to the 80s when it was assumed that the toughest guy in the room was automatically the biggest. Guys like Stallone or Schwarzenegger would have played these parts back in the day.

Machete

I’m on a pretty good roll lately as far as movies being exactly what I want them to be. “The Expendables” was a solid attempt to recreate a 1980s style action flick driven by a big name, or many big names in this particular case. “Piranha 3D” was completely over the top fun, full of tens of thousands of gallons of fake blood, and equally fake naked breasts. Both did exactly what I wanted them to do, and I enjoyed them thoroughly. Robert Rodriguez’s “Machete” fits nicely alongside those two films.

Solitary Man

In movies there is often a certain romance associated with people who live every day like it may be their last, who live like there is no tomorrow. Film celebrates those people who just say fuck it, seize the day, and go after what they want with reckless abandon. The dark comedy “Solitary Man” ventures show the other side of that. It shows the loneliness, the broken relationships, the burned bridges, and the pain left behind.

Salt

Wait a minute. The bad guys in “Salt” are Cold War era Russians? Really? I kind of like that. I kind of like that a lot. They’re throwback villains that take me back to the movies of my youth where the Russians were like the default setting for cinematic evildoers. It’s an interesting choice for an action film in 2010, but I’m behind it.